
Raging Threshold
Two tiger heads flare out of a crimson field, their yellow and rose stripes colliding with fast, slashing marks that keep the image on the verge of a roar.
A focused print release drawn from Innocenza di Aix: A4 and A5 prints with quiet borders, textured paper, and international, worldwide shipping.

Two tiger heads flare out of a crimson field, their yellow and rose stripes colliding with fast, slashing marks that keep the image on the verge of a roar.

Rose, terracotta, and muted ochre compress the bouquet into a close, breathing square, as though the petals had been gathered out of memory rather than arranged for display.

Cream, citron, and olive release the bouquet into a brighter register, letting the blossoms flare outward while the paint keeps real weight at the center.

Tomato red, cream, basil green, and fleshy pink toppings are handled with thick assurance, making appetite and paint pressure arrive at the same instant.

Cobalt scrolls, red accents, and branching ochres frame the rooster as both emblem and flourish, turning the round format into a compact theatre of motion.

A compact A5 print for The Blue Mask, held as a small-format paper object in blue.

A winged blue figure, bright pink wings, and small floating details give the winter field a playful, almost costume-like charge.

Inspired by a display encountered in a supermarket, this painting transforms an ordinary commercial arrangement into a direct confrontation with contemporary consumption. What appears at first as an everyday scene gradually reveals the uneasy relationship between industrial food production, marketing, and the increasing distance between what we consume and its living origin.

The final work shifts from immersion toward dispersion. Where the preceding paintings gather chromatic energy around a central presence, Emergence III releases that intensity across the entire surface, creating a field in which countless organic elements coexist without hierarchy. Perception expands outward, inviting the viewer to experience multiplicity rather than focus.

Deep phthalo blue and submerged grays draw the fountain inward, where perspective first emerges through ambition and creativity.

Primary blues rise through the composition, capturing the fountain in a moment of perpetual becoming.

Pale stone and diffused blues dissolve the monument into atmosphere, where subtle references to earlier paintings evoke the continuity of the series.

Violet chromatic fields transform the familiar fountain into an introspective landscape suspended between the soul and the imagination.

Pixelated blossoms and fragmented skies merge digital perception with painterly gesture, reimagining memory through a contemporary visual language.